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class. This is the third item's accordion body. Nothing more exciting happening here in terms of content, but just filling up the space to make it look, at least at first glance, a bit more representative of how this would look in a real-world application.
On Wednesday 6 November, at the Teatro Gerolamo in Milan, the P+ARTS project - one of the numerous cultural programmes financed by PNRR funds in which the Accademia Teatro alla Scala also takes part - will be launched.
The inauguration includes a meeting reserved for the specialised press in the morning and three thematic panel discussions in the afternoon; admission to the second part of the event is free, with registration at this link. The afternoon conversations, from 2.30 p.m. to 6.30 p.m., will involve prestigious guests to address the theme of female curatorship (at 2.30 p.m.) of artistic research as a methodological and interdisciplinary practice (at 4 p.m.) as well as an interesting comparison between business and culture, an increasingly inseparable pair (at 5.30 p.m.).
It is precisely this last theme, which will see the intervention of Paolo Petrocelli, that most closely involves the La Scala Academy as an artistic and managerial training body in the performing arts sector.
P+ARTS, Partnership for Artistic Research in Technology and Sustainability, is a two-year project dedicated to the strategic growth and capacity building of the Italian artistic scene.
NABA, Nuova Accademia di Belle Arti is the leader of the AFAM (Alta Formazione Artistica, Musicale e Coreutica) consortium involved, which includes: Fondazione Accademia Teatro alla Scala, Conservatorio ‘Giuseppe Verdi’ di Milano, Accademia di Belle Arti di Napoli, Accademia di Belle Arti di Bari, Conservatorio di Musica ‘E.R. Duni’ di Matera, IAAD Istituto di Arte Applicata e Design, SAE Institute Milano, Politecnico di Bari, Libera Università di Bolzano.